Palm Sunday Art Series - van Waterschoot

 

This lovely work is Heinrich van Waterschoot's mid-18th century "Einzug in Jerusalem".  It is a small oil-on-copper painting.  The artist was Flemish/ German.  Again one can see Zaccheus in the tree.

Palm Sunday Art Series - Giotto

 

This Palm Sunday image is a 14th century fresco by Giotto that is in the Scrovegni Chapel in Padua, Italy.  Like many of the images on this theme, it shows Zaccheus in the tree he climbed to get a better view of Our Lord's triumphal entry into Jerusalem.

Silence, Annunciation, Incarnation

 
 On March 25, we celebrate the feast of the Annunciation, commemorating the event where Archangel Gabriel "declared unto Mary" and she "conceived by the Holy Spirit".

The propers for today's Solemnity of the Annunciation of the Blessed Virgin Mary can be found at Usus Antiquior here.

The Annunciation was the moment when the Incarnation occurred.  That is, it was nine months before the Nativity, at the moment of Mary's response to Gabriel, "Be it done to me according to thy word," that the Word was made flesh and dwelt among us.

This moment has inspired many artists and writers. The poet Rainer Maria Rilke (1875-1926) wrote a cycle of poems on the life of the Virgin Mary, one of which was about the Annunciation. The poem suggests an intense silence at the first moment of the encounter between the Archangel and Mary, before Gabriel greeted Mary and revealed his purpose.

While Rilke's theology is often unorthodox, his description of this silence before the Annunciation is compelling. Both the Archangel and Mary are entirely present to one another and, at that moment, in a state of holy fear. Perhaps Mary is in awe because she instantly recognizes Gabriel as a messenger of God, and perhaps Gabriel is in awe because he instantly recognizes Mary's profound purity.

The last lines of the poem, in rough translation, are as follows:

"She and he,
seeing and seen,
nowhere other than where they were.
Such sight frightens, and both were scared . . .
Then the angel sang his song."

When composing the poem, Rilke might well have meditated on the above image of The Annunciation (1333) by Simone Martini (ca. 1284 to ca. 1344). There, Gabriel and Mary gaze upon one another, their eyes meeting.

Although many paintings of the Annunciation show the Archangel giving Our Lady a lily, in Martini's portrayal, the lilies -- symbol of Mary's purity -- are in a vase. Gabriel instead presents Mary with an olive branch, symbol of peace. Gabriel also wears a crown of olive, which is the crown of the Holy Ghost.

The Ave Maria Prayer

Ave, Maria, gratia plena, Dominus tecum;
benedicta tu in mulieribus,
et benedictus fructus ventris tui, Iesus.

Sancta Maria, Mater Dei,
ora pro nobis peccatoribus,
nunc et en hora mortis nostrae.
Amen.

(Hail, Mary, full of grace,
the Lord is with thee;
blessed art thou among women,
and blessed is the fruit of thy womb, Jesus.

Holy Mary, Mother of God,
pray for us sinners,
now and at the hour of our death.
Amen.)