Les anges du péché (1943) was the
first feature length film by Catholic director Robert Bresson (1901-1999). The
screenplay was written with the help of a French Dominican priest, Fr. Raymond
Leopold Bruckberger, and playwright Jean Giraudoux.
Bresson's next movie was
Les Dames du Bois de Boulogne (1945).
The film is set in a Dominican
convent that takes in female ex-prisoners.
It examines the effect of good on evil, evil on good, what happens when
one "stands too close to the fire", and how that fire can transform
and be transformed. That is, it
examines the operation of grace.
Like Bresson's other motion
pictures, it acts on the viewer on several levels -- the cerebral, the
spiritual, and the visceral. It
features trademark Bresson visuals focusing on the interplay of light and
shadow, and religious symbolism that is recognizable without being overly
predictable or trite.
The casting and acting are
impeccable.
Moreover, those who have
seen
The Nun's Story (1959) will have a chance
to view a different resolution of the conflicts and struggles of religious
life.
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